In a genre like this the orbit for music is wide, but in case of Thozha, you might feel it wasnвЂ™t utilised completely. If all the songs in the album gave the same feel as the title track вЂThozhaвЂ™ it would certainly have attained the tag, вЂA Gopi Sundar musicalвЂ™. We must give it to PVP cinemas for the production value and the packaging quality of the content. Seamless cuts from Praveen KLвЂ™s desk make sure to not distract the underplayed high the film is feeding you with. Computer graphics could have given a better output in the small instances they were used. The portions canned in Paris is a real feast to your retina. PS Vinod yet again shows what a camera can do beyond just capturing actions. Funny moments between Karthi and Prakash Raj will make you roll on floor and laugh (ROFL). Philosophical takes established through dialogues about friendship and life needs to be appreciated. As the story revolves around the pivotal character of Vikram (Nagarjuna) all these high points are also based on him. There are few high points in the course of the narration of this film that is sure to bring a smile of agreement/contentment/realisation to the viewer according to their past/present life experiences. The fact that we might not get to see late actress Kalpana again, makes one more attentive while she appears on screen and she does not disappoint us. Mentions to Prakash Raj, Jayasudha, Anushka, Shriya Saran are due for their sincere work irrespective of the leeway their character holds. On the other hand, though Tamannaah's character has minimal scope in the tale, she makes sure not to overdo any part and understands the demand well. Karthi plays his role of a fraudster turned good doer well by almost mastering the Chennai Tamil slang and body language. Though his Tamil accent sounds slightly foreign, his characterisation saves the overall feel that the character is trying to radiate. If one actor can give his best and consequently touch the viewer with his performance using just facial expressions and dialogue delivery, then you are talking about Nagarjuna of Thozha. Directed by Vamsi, Thozha is an adaptation of the popular French film, The Intouchables and the above quoted dialogue is the best one line description to this feel good film starring Karthi, Nagarjuna and Tamannaah in the lead. That's Arowana Films' Thozha, directed by N Sundareshwaran.вЂњIf money can give all the happiness in the world, I would be the happiest,вЂќ states Nagarjuna at a crucial point of the movie, Thozha. So on the whole, Thozhaa is a not-so-bad film about a good friend.' Rediff wrote 'Imagine a sturdy house, brightly coloured, reasonably proportioned standing on wilting, slender sticks that barely support it amidst swirling flood-waters. This happens throughout the film, from the initial backstories the characters are given to the final climax. So the film is on strong ground when focusing on its protagonist but turns slow and dragging when dealing with the people surrounding him. He also stages the hate-me-since-I-will-die-in-a-few-days sacrificial love story intertwined in a plot already ridden with too many clichГ©s.' Balaji B of Thiraipadam wrote 'Thozhaa has a strong central protagonist but surrounds him with characters who are not so strong. Charan, Venkat Prabhu, Premji AmarenД«ehindwoods wrote 'Director Sundareswaran subjects you to a melodramatic version of struggling-youngsters-making-it-big combined with a friendвЂ™s-sacrifice story. Soundtrack contains the remixed version of 'Oru Nayagan' from Dhavani Kanavugal (1984). Soundtrack was composed by Premji Amaran and lyrics were written by Gangai Amaran, Vaali and Snehan.

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